SCHEDEL, Hartmann - b. 1440 Nürnberg, d. 1514 Nürnberg - WGA

SCHEDEL, Hartmann

(b. 1440 Nürnberg, d. 1514 Nürnberg)

German humanist and historian. He matriculated at Leipzig in 1456, received the degree of baccalaureus in 1457, and of magister in 1460. He then chose jurisprudence as his professional study, but at the same time zealously pursued humanistic learning under Pieter Luder, whom he followed to Padua in 1463. He there took up the study of medicine in which he obtained a doctorate in 1466. In 1472 he became a physician at Nordlingen; in 1477, at Amberg; in 1481, at Nuremberg where he lived until his death.

He was closely connected with scholars and artists and his large and varied learning exerted a stimulating influence upon other students. His chief work is a chronicle of the world, “Liber chronicarum”, which contributed much to the spread of historical knowledge. It was first published in 1493 at Nuremberg, a German translation by Georg Alt appearing in the same year. The division of the work into six ages and the point of view are entirely medieval. The work is a compilation following earlier chronicles closely and generally, even verbally; it depends particularly on the “Supplementum chronicarum” issued at Venice in 1483 by Brother Jacobus Philippus Foresta of Bergamo. The thoughtful, conservative, and rigidly orthodox Schedel does not often express his own opinion. The book owes its popularity in part to the great number of fine wood-cuts executed by the two artists, Michael Wolgemuth and Wilhelm Pleydenwurff. Schedel’s activity in tracing out, collecting, and copying manuscripts produced results of much value even to-day. Many an important monument has been preserved only in his copy.

Special mention should be made of his collection of inscriptions, the “Liber antiquitatum”, completed in 1504. His large and valuable library containing over three hundred manuscripts and several hundred printed books came into the possession of John Jacob Fugger in 1552, and was afterwards obtained by Duke Albert V of Bavaria (1550-1579) for the ducal, now royal, library at Munich, where it now is.

Nuremberg Chronicle, Page 100: View of the city of Nuremberg
Nuremberg Chronicle, Page 100: View of the city of Nuremberg by

Nuremberg Chronicle, Page 100: View of the city of Nuremberg

Woodcut illustrations from Michael Wolgemut’s workshop were at the time some of the best in terms of technique that were available on the European market. New effects in their preparation, finer interior details and the suggestion of spatiality increased demand. The 645 illustrations for the Nuremberg Chronicle (Liber chronicarum) by the Nuremberg doctor and humanist Hartmann Schedel became particularly famous. This work, which appeared in 1493, contained a total of 1809 woodcuts and, with its illustrations and descriptions based on the seven ages, was meant to represent a history of the world and its peoples. The chronicle became internationally famous, and the 123 pictures of cities may have contributed considerably to its popularity. The largest depiction, a view of the then world and trade metropolis of Nuremberg, is a good example of the way city views were recorded in all their detail.

Schedel’s view of the city of Nuremberg depicts the city from the south, from which direction the hill with the castle is easily recognizable. The mass of houses rises above the double circle of the city walls. The two main churches, St Sebald and St Lorenz, are also emphasized by inscriptions. The sheet has frequently been copied.

Nuremberg Chronicle, Sheet 12: Other Nations
Nuremberg Chronicle, Sheet 12: Other Nations by

Nuremberg Chronicle, Sheet 12: Other Nations

The Nuremberg Chronicle by Hartmann Schedel is divided into a history of the world in seven ages of the world. The second age of the world uses the descriptions of St Augustine (354 - 430), the Roman Father of the Church and founder of the monastic order, and the classical author Pliny (2324 -79) and describes the peculiar people who apparently lived in India. In addition to cephalopods and curious hybrids, the woodcuts mainly show people lacking limbs. Scarcely a decade later the comical notions Europeans had about Indian nations would be refuted by the discovery of the sea route to India.

Nuremberg Chronicle, View of Florence
Nuremberg Chronicle, View of Florence by

Nuremberg Chronicle, View of Florence

Nuremberg Chronicle: View of Rome
Nuremberg Chronicle: View of Rome by

Nuremberg Chronicle: View of Rome

This fifteenth century woodcut emphasizes the papal and imperial monuments of Rome.

Feedback