SLINGELAND, Pieter Cornelisz. van - b. 1640 Leiden, d. 1691 Leiden - WGA

SLINGELAND, Pieter Cornelisz. van

(b. 1640 Leiden, d. 1691 Leiden)

It was during the 1660s, the decade immediately following his tenure in Dou’s studio - he presumably studied with the master during the late 1650s - that van Slingeland produced his best work. Like Dou, and undoubtedly inspired by him (and by the impetus of the art market), van Slingelandt painted numerous images of domestic virtue which feature meticulously painted interiors filled with a profusion of household motifs. Van Slingelandt’s use of chiaroscuro and the general disposition of space are analogous as well.

Van Slingeland specialised in small genre paintings which owe a debt to Dou, Quiringh van Brekelenkam and Frans van Mieris, as well as small, jewel-like portraits which often have a genre element in the detailed description of interiors or gardens. Like Dou, he sometimes places his compositions within an arch. Van Slingeland’s work appealed to refined Dutch taste of the second half of the seventeenth century and commanded high prices in his lifetime.

Van Slingeland became a member of the Leiden guild of St Luke in 1661. He was an officer in 1684 and 1690 and was elected dean in 1691, the year of his death. His work is represented in the Gemäldegalerie Alte Meister, Dresden; the Gemäldegalerie, Berlin; the Rijksmuseum, Amsterdam; the Boymans-van Beuningen Museum, Rotterdam; the Stedelijk Museum de Lakenhal, Leiden and the Louvre, Paris.

A Tailor's Workshop
A Tailor's Workshop by

A Tailor's Workshop

Trades and domestic industry were popular subjects in seventeenth-century Dutch painting. In most images of tailors we see them at work at their foremost activity, cutting the cloth, just like in the present painting by Pieter van Slingeland. As a tailor worked on pieces of cloth brought on to him, he did not have a supply of textiles in his shop; on the shelf behind the tailor seen here, too, there are only a few pieces, no doubt brought by clients to be worked on. There is a good supply of thread, however, hanging in a bunch from the ceiling. The tailor and his apprentices are working close to the window, their trade requires good light. The master is cutting carefully, his glasses on his nose, one assistant is concentrating on stitching, while the other is picking a thread from the bunch. This painting could well function as an allegory of Sight.

Breakfast of a Young Man
Breakfast of a Young Man by

Breakfast of a Young Man

Johan Hulshout
Johan Hulshout by

Johan Hulshout

The pendant to this portrait, of the sitter’s wife, Anna Splinter (c. 1630-1694), is in the National Gallery of Ireland. The couple married in 1650.

Johan Hulshout (1623-1687) was the son of a wine merchant in The Hague. He studied law at the University of Leiden, and became secretary organization which supervised the regional system of canals, dikes, and dams. He held the post until his death.

Johannes van Musschenbroeck and His Wife
Johannes van Musschenbroeck and His Wife by

Johannes van Musschenbroeck and His Wife

Johannes van Musschenbroek (1660-1707) was an instrument maker. He married in Rotterdam in 1685 to Margaretha van Straaten. He died in Leiden.

Lady with a Pet Dog
Lady with a Pet Dog by

Lady with a Pet Dog

Van Slingeland also executed pictures tinged with eroticism. Many of these reveal his responsiveness to the art of van Mieris: the Lady with a Pet Dog of 1672 was inspired by van Mieris’s Teasing the Pet (Mauritshuis, The Hague), painted twelve years earlier.

Portrait of a Lady Holding a Rose
Portrait of a Lady Holding a Rose by

Portrait of a Lady Holding a Rose

This small panel was probably made in the 1670s, when Slingeland executed most of his delicate, genre-like portraits. It depicts in great detail a young woman standing in half-length and in three-quarter profile, with her head turned to the left, facing the viewer. In her right hand the lady holds a single pink rosebud; her left arm rests gracefully on a stone balustrade.

The painting is a betrothal or marriage portrait and in 1773 had a pendant, a portrait of a man with a statue of Mercury.

Portrait of a Man
Portrait of a Man by

Portrait of a Man

The sitter of this fine small portrait on copper wears a “Japanese robe.” This type of garments, which were usually made of Chinese or Indian silk, were imported mostly from Japan to the Netherlands by the East India Company (VOC) and are shown often in fashionable portraits of men, and in genre interiors dating from about 1665 onward. An almost identical robe and scarf are seen, for example, in The Chess Players of about 1670 by Cornelis de Man.

The Violist
The Violist by

The Violist

The first version of this composition is in the Schwerin Museum.

Woman by Candlelight
Woman by Candlelight by

Woman by Candlelight

Formerly the painting was attributed to Gerard Terborch. It is probably an early work of the painter.

Woman with Pet Dog
Woman with Pet Dog by

Woman with Pet Dog

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