SNAYERS, Pieter - b. 1592 Antwerpen, d. 1667 Brussel - WGA

SNAYERS, Pieter

(b. 1592 Antwerpen, d. 1667 Brussel)

Flemish painter. The son of a city messenger for Antwerp, he was an apprentice of Sebastiaen Vrancx, although he is not listed as such in the records of the Antwerp Guild of St Luke. He became a master of the Guild in 1612-13. The paintings of his early Antwerp period adopt the style and subject-matter of his master: scenes of skirmishes and robberies on country roads, represented as lively and colourful events. Snayers married a niece of the painter Cornelis Schut on 25 September 1618 and continued to live in Antwerp until the second half of the 1620s. Until 1625-26 he regularly paid his dues to the Guild. Shortly afterwards he moved to Brussels.

On 16 June 1628 he obtained citizenship of Brussels and became a master in the local guild of painters. Although he was never appointed officially as court painter to the Archdukes Albert and Isabella, he worked for the Infanta on several occasions, painting scenes in which she herself participated, such as Isabella’s Visit to the Siege of Breda (Madrid, Prado). These commissions may explain his move to Brussels.

A Cavalry Engagement
A Cavalry Engagement by

A Cavalry Engagement

The artist in his early period painted several skirmishes and similar scenes.

Suggested listening (streaming mp3, 12 minutes):

Heinrich Ignaz Franz von Biber: The Battle, suite

A Wooded Landscape with Travellers
A Wooded Landscape with Travellers by

A Wooded Landscape with Travellers

The painting depicts a wooded landscape with travellers and a horse-drawn wagon being ambushed by brigands and horsemen, a view of a church in the distance.

Halt of Horsemen in a Forest
Halt of Horsemen in a Forest by

Halt of Horsemen in a Forest

Night Attack on Lille
Night Attack on Lille by

Night Attack on Lille

Pieter Snayers specialized in painting battle scenes. He applied himself to making large paintings of historical sieges from the contemporary conflicts. He became court painter to the governors of the Spanish Netherlands, Cardinal Infante Ferdinand and Archduke Leopold Wilhelm. In their service he made a substantial number of pictures as a visual record of military successes. The topographical character of the set of siege pictures by Snayers in the Prado is remarkable.

Siege of Aire-sur-la-Lys
Siege of Aire-sur-la-Lys by

Siege of Aire-sur-la-Lys

Pieter Snayers specialized in painting battle scenes. He applied himself to making large paintings of historical sieges from the contemporary conflicts. He became court painter to the governors of the Spanish Netherlands, Cardinal Infante Ferdinand and Archduke Leopold Wilhelm. In their service he made a substantial number of pictures as a visual record of military successes. The topographical character of the set of siege pictures by Snayers in the Prado is remarkable.

This painting depicts Spanish troops during the winter siege of Aire-sur-la-Lys, a fortified city on the border of France and Belgium. It was captured on December 7, 1641. This was an incident in the fourth phase of the war, when France had entered the war on the Protestant side, in order to prevent the Austrian-Spanish Habsburg dynasty from overwhelming France.

Snayers directs all attention to a background with steeply rising horizon, and a topographically accurate picture of the beleaguered town, derived from graphic examples, presented as if on a map unrolled before the viewer. This produces a strong contrast with the relatively small foreground in normal perspective, where the military activity is shown in anecdotal detail.

Taking of Breda
Taking of Breda by

Taking of Breda

Pieter Snayers specialized in painting battle scenes. He applied himself to making large paintings of historical sieges from the contemporary conflicts. He became court painter to the governors of the Spanish Netherlands, Cardinal Infante Ferdinand and Archduke Leopold Wilhelm. In their service he made a substantial number of pictures as a visual record of military successes. The topographical character of the set of siege pictures by Snayers in the Prado is remarkable.

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