SPECCHI, Alessandro - b. 1668 Roma, d. 1729 Roma - WGA

SPECCHI, Alessandro

(b. 1668 Roma, d. 1729 Roma)

Italian architect and printmaker. He trained as an architect under Carlo Fontana. He also specialized as an engraver and made a well known series of plates for prints of vedute or views of Rome.

As an architect, he was influenced by Francesco Borromini. His first major work was the design of the Baroque Porto di Ripetta, the port of Rome, on the banks of the River Tevere or Tiber. With the design of this port Specchi broke with the classicising architecture of his teacher Fontana. The port was destroyed in 1874 with the development of flood defences and the river bank road of Lungotevere, and replaced by Rome’s Ponte Cavour, and his fountain at the top of the port was moved to a nearby site.

As the papal architect, he submitted a design for the famous Spanish Steps leading up from the Piazza di Spagna to the French church of the Trinità dei Monti, but the proposal by the little-known Italian architect Francesco de Sanctis was preferred by the French monks and the Steps were constructed to his design between 1723 and 1728.

He designed and was involved with alterations to various Roman palaces: he designed the Palazzo de Carolis on the Via del Corso (now the headquarters of the Banco di Roma), the high altar in the Pantheon, the Palazzo Pichini; and made alterations to the Palazzo Verospi and the Palazzo Albani, and additions to the Palazzo del Quirinale.

In 1711 he became a member of the Academy of St. Luke, the artists’ academy in Rome.

Exterior view
Exterior view by

Exterior view

The Palazzo Pichini (or Pighini, or Palazzo del Gallo di Roccagiovane) is located on the northern side of the Piazza Farnese. It was redesigned in 1705 by Alessandro Specchi. It houses now the embassy of Cyprus to the Holy See.

Porto di Ripetta
Porto di Ripetta by

Porto di Ripetta

The Porto di Ripetta was an exedra into the river bank in Rome, the stepped ramps of which pick up and follow the natural incline. Alessandro Specchi, a student of Carlo Fontana who had become well-known as an engraver, created this design. This project in front of the church of San Girolamo degli Schiavoni led Specchi and Fontana towards an increasing use of dynamic perspectives. The port was destroyed in 1874 with the development of flood defences and the river bank road of Lungotevere, and replaced by Rome’s Ponte Cavour, and his fountain at the top of the port was moved to a nearby site.

The view of the port was recorded in etching by Giovanni Battista Piranesi.

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