STAPPEN, Charles van der - b. 1843 Bruxelles, d. 1910 Bruxelles - WGA

STAPPEN, Charles van der

(b. 1843 Bruxelles, d. 1910 Bruxelles)

Belgian sculptor. He was a student at the Academy in Brussels from 1859 to 1868, spending 1864 in Paris, where he worked in a sculptor’s studio while attending the École des Beaux-Arts. From 1877 to 1879, he lived in Rome, where he worked out the cire perdue technique. After his return, he established the Atelier Libre in Brussels, which soon became a favourite rendezvous for artists.

In the 1890s, van der Stappen devoted himself to applied art and was a co-founder of L’Art, a movement for “Art in industry”. He exhibited at numerous exhibitions, including those of Les Vingt, the Salon de la Libre Esthètique and the Viennese Secession.

His principal works include Teaching of Art (1887), a bronze group at the Palais des Beaux-Arts in Brussels and another on the main steps of the City Hall in Brussels.

In the late 1880s, Van der Stappen’s work took a new direction, noted by contemporary critics, as he adopted the populist themes then in vogue. He responded to the influence of his friends Auguste Rodin and Constantin Meunier. He took his subjects from the life of the poor and the workers, and the result was informed by social preoccupations, as in the Death of Ompdrailles (1892), in the Avenue Louise, Brussels, an epic group inspired by a novel by the French writer Léon Cladel (1834-1892). The influence of Rodin is discernible in this piece.

Death of Ompdrailles
Death of Ompdrailles by

Death of Ompdrailles

From the late 1880s, van der Stappen took his subjects from the life of the poor and the workers, and the result was informed by social preoccupations, as in the Death of Ompdrailles, an epic group inspired by a novel by the French writer L�on Cladel. The influence of Rodin is discernible in this piece.

Ompdrailles was a triumphant gladiator who, in his old age, committed suicide. This magnificent sculpture depicts the scene where the Northern Bear, Arribial, his old rival, presents the body for the crowd’s adoration.

The bronze group was inaugurated in June 1897.

Exterior view
Exterior view by

Exterior view

The bronze group representing Teaching of Art by Charles Van der Stappen symbolizes the inspiration of Art. The group stands at the left of the entrance of the Mus�es Royaux des Beaux-Arts (Royal Museums of Fine Arts) in Brussels. Inside the museum, several plaster sketches and models of the group are exhibited.

Teaching of Art
Teaching of Art by

Teaching of Art

This bronze group of Charles Van der Stappen symbolizes the inspiration of Art. The group stands at the entrance of the Mus�es Royaux des Beaux-Arts (Royal Museums of Fine Arts) in Brussels. Inside the museum, several plaster sketches and models of the group are exhibited.

The Mysterious Sphinx
The Mysterious Sphinx by

The Mysterious Sphinx

Van der Stappen finished his chryselephantine (ivory and metal) sculptures to the ultimate degree of craft perfection. The bust of the Sphinx unites all the features of fin-de-siecle Belgian art and constitutes a sort of incunabulum of Art Nouveau in Belgium. The Sphinx is the image of literary Symbolism incarnate, while the use of exotic ivory underlines the aura of mystery.

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