STORY, William Wetmore - b. 1819 Salem, d. 1895 Vallombrosa - WGA

STORY, William Wetmore

(b. 1819 Salem, d. 1895 Vallombrosa)

American sculptor, art critic, poet, and editor. He graduated at Harvard College in 1838 and at the Harvard Law School in 1840, continued his law studies under his father, was admitted to the Massachusetts bar.

Abandoning the law, he devoted himself to sculpture, and after 1850 lived in Rome, where he had first gone in 1848, and where he was intimate with the Brownings and with Walter Savage Landor. In 1856, he received a commission for a bust of his late father, which resides in the Memorial Hall/Lowell Hall. Story’s apartment, in Palazzo Barberini, became a central location for Americans in Rome.

One of his most famous works, Cleopatra, (1858) was described and admired in Nathaniel Hawthorne’s romance, The Marble Faun, and is on display at the Virginia Museum of Fine Arts in Richmond, Virginia. Another work, the Angel of Grief, has been replicated near the Stanford Mausoleum at Stanford University. Among his other life-size statues he completed were those of Saul; Sapho: Electra; Semiramide; Delilah; Judith; Medea; Jerusalem Desolate; Sardanapolis; Solomon, Orestes; Canidia, and Shakespeare. His Sibyl and Cleopatra were exhibited at the 1863 Universal Exposition in London.

Story submitted a design for the Washington Monument, then under construction. Although the Washington National Monument Society concluded that his design seemed “vastly superior in artistic taste and beauty” to the obelisk already under construction, the obelisk continued to be built, and is what we see today as the monument. In addition, Story sculpted a bronze statue of Joseph Henry on the Mall in Washington, D.C., the scientist who served as the Smithsonian Institution’s first Secretary. His works Libyan Sibyl, Medea and Cleopatra are on display at the High Museum of Art in Atlanta, GA.

Story died at Vallombrosa Abbey, Italy; a place to which he had a sentimental attachment, and which he chronicled in an informal travel journal, Vallombrosa in 1881. He is buried with his wife, Emelyn Story, in the Protestant Cemetery, Rome, under a statue of his own design (Angel of Grief). He is remembered as the centre of a circle of literary, theatrical, and social celebrities.

His children also pursued artistic careers: Thomas Waldo Story (1855-1915) became a sculptor, Julian Russell Story (1857-1919) was a successful portrait painter, and Edith Marion (1844-1907), the marchesa Peruzzi de’ Medici, became a writer.

Cleopatra
Cleopatra by

Cleopatra

In this representation of Cleopatra (69-30 B.C.), the last Macedonian ruler of Egypt, she meditates suicide; the asp curled around her left arm predicts her death from its venomous bite.

Libyan Sibyl
Libyan Sibyl by

Libyan Sibyl

Oracle in hand, the Libyan Sibyl, eldest of the legendary prophetesses of antiquity, foresees the terrible fate of the African people. This premonition is suggested by the heroic figure’s state of brooding cogitation.

Medea
Medea by

Medea

Medea is an ancient Greek tragedy written by Euripides, based upon the myth of Jason and Medea. The protagonist Medea is abandoned by her husband Jason and in revenge kills the children they have had.

To nineteenth-century theater audiences, Medea was a sympathetic character forced to choose between relinquishing her children and protecting them by destroying them herself. Story similarly deemphasized Medea’s revenge, leaving to the viewer’s imagination the scene of infanticide to come.

Medea
Medea by

Medea

The sculptor intended to convey the extreme emotions that tormented the literary characters popular in his time. Ha represented the mythical Medea about to exact a terrible revenge on her adulterous husband Jason. The figure is imbued with the classical beauty and mastery of marble that runs throughout Story’s work.

There are several versions of this statue, the present one, made 10 years after the first version was completed, seems to be the only version under life size. It is signed and dated in cypher: W S / ROMA 1876, and entitled: MEDEA.

Feedback