TENERANI, Pietro - b. 1789 Torano, Massa e Carrara, d. 1869 Roma - WGA

TENERANI, Pietro

(b. 1789 Torano, Massa e Carrara, d. 1869 Roma)

Italian sculptor. From 1803 he trained under Lorenzo Bartolini at the Accademia di Belle Arti in Carrara, where he was also influenced by his uncle, Pietro Marchetti (active 1789-1850), the professor of sculpture, and by the French painter Jean-Baptiste Frédéric Desmarais (1756-1813). In 1813 he won a scholarship to study in Rome and moved there in 1814. He visited art exhibitions and museums, took lessons in painting the nude at the Académie de France and attended the studio of Gaspare Landi. As a fundamental test for all aspiring sculptors, he copied one of The Dioscuri, colossal Roman statues of Castor and Pollux located on Monte Cavallo (now Piazza del Quirinale), though he destroyed his copy.

In 1816 he received significant recognition by winning the Premio dell’Anonimo, instituted by Canova, for his much-acclaimed Risen Redeemer (untraced). Towards the end of 1815 he came into contact with Bertel Thorvaldsen and worked with him in his studio in the Piazza Barberini. He became famous with his Psyche Abandoned (c. 1817, Galleria d’Arte Moderna, Florence).

In collaboration with Thorvaldsen, Tenerani executed different monuments and works on mythological subjects. He also created various bust portraits of prominent people of the epoch.

Monument of Pius VIII
Monument of Pius VIII by

Monument of Pius VIII

This monument was commissioned by the Cardinal Albani, the figures were moved from the Vatican grottoes to the monument in 1857. The figures are the kneeling pontiff and seated Christ as well as Saints Peter (left) and Paul (right); the base reliefs are Prudence (left) and Justice (right).

Monument of Pius VIII
Monument of Pius VIII by

Monument of Pius VIII

This monument was commissioned by the Cardinal Albani, the figures were moved from the Vatican grottoes to the monument in 1857. The figures are the kneeling pontiff and seated Christ as well as Saints Peter (left) and Paul (right); the base reliefs are Prudence (left) and Justice (right).

Psyche Abandoned
Psyche Abandoned by

Psyche Abandoned

The feeling of melancholic meditation on the loss of those dear to us was the source of inspiration of this work. Appreciated by Canova and Thorvaldsen for the smoothness of the marble and the delicate naturalness of the limbs, the Neo-classical sculpture met with such success that it was subsequently replicated in a number of other versions.

You can compare this statue with an earlier version by Augustin Pajou.

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