THIELEN, Jan Philip van - b. 1618 Mechelen, d. 1667 Booischot - WGA

THIELEN, Jan Philip van

(b. 1618 Mechelen, d. 1667 Booischot)

Flemish painter. He was the son of a minor nobleman by the name of Liebrecht van Thielen. Jan Philip would eventually assume his father’s title of Lord of Couwenberch. His mother was Anna Rigouts or Rigouldts. He signed some of his paintings with his mother’s name.

He left his native Mechelen for Antwerp where in 1631 or 1632 he started his training as a painter with his brother-in-law Theodoor Rombouts. In 1693 he married Francisca de Hemelaer, and through his marriage he was the brother-in-law of Erasmus Quellinus II. Quellinus drew Van Thielens’s portrait that was engraved by Richard Collin (c. 1626-c. 1697) for Cornelis de Bie’s book of artist biographies Het Gulden Cabinet.

Because he liked flower painting he changed masters in 1641 and began training with Daniel Seghers, the leading flower painter in Flanders. He became a master in the Antwerp Guild of Saint Luke in 1641. In 1660 he moved with his family to his hometown Mechelen where he became a master in the local Guild of Saint Luke the next year.

Van Thielen painted flower pieces as well as garland paintings with dates ranging from 1646 to 1667. Van Thielen and his wife had 9 children. Three of his daughters became flower painters: Maria Theresa (1640-1706), Anna-Maria (b. 1641) and Francisca-Catherina (b. 1645).

A Stone Cartouche with the Virgin and Child, Encircled by a Garland of Flowers
A Stone Cartouche with the Virgin and Child, Encircled by a Garland of Flowers by

A Stone Cartouche with the Virgin and Child, Encircled by a Garland of Flowers

Artists of this period often collaborated, bringing their unique talents to bear on a single work of art. Here, the figure painter Erasmus Quellinus II painted an elaborate cartouche while the still-life specialist Jan Philip van Thielen supplied the vivid flowers. Both artists signed the painting. Because the floral arrangement includes both spring and summer blooms, it could never have been assembled in a real-life bouquet. Instead, they form a timeless wreath of honour that symbolizes the eternal virtues of the Virgin and Child and pays tribute to their enduring holiness.

Garlands of Flowers surrounding Immaculate Conception
Garlands of Flowers surrounding Immaculate Conception by

Garlands of Flowers surrounding Immaculate Conception

Artists of this period often collaborated, bringing their unique talents to bear on a single work of art. Here, the figure painter Erasmus Quellinus II painted an elaborate cartouche while the still-life specialist Jan Philip van Thielen supplied the vivid flowers.

Jan Philip van Thielen was a pupil of Daniel Seghers, the composition of this painting follows the example of his master.

Garlands of Flowers surrounding a Sitting Madonna
Garlands of Flowers surrounding a Sitting Madonna by

Garlands of Flowers surrounding a Sitting Madonna

This painting is the result of a collaboration between Jan Philip van Thielen (flowers) and Erasmus Quellinus II (grisaille).

Roses and a Tulip in a Glass Vase
Roses and a Tulip in a Glass Vase by

Roses and a Tulip in a Glass Vase

The style of Van Thielen’s flower pieces is less spontaneous than that of his master Daniel Seghers. Each flower stands out individually rather than blending into the composition as a whole. In his flower paintings he demonstrated his skills as a colourist, which contributed to his commercial success. An example is the Roses and a tulip in a glass vase in the National Gallery of Art in Washington.

Vase with Flowers
Vase with Flowers by

Vase with Flowers

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