THIJS, Pieter - b. ~1624 Antwerpen, d. 1677 Antwerpen - WGA

THIJS, Pieter

(b. ~1624 Antwerpen, d. 1677 Antwerpen)

Pieter Thijs (Thys), Flemish painter. In 1644-45 he became a master in Antwerp’s Guild of St Luke and from c. 1647 worked for Archduke Leopold William in Brussels and the House of Orange in The Hague. He executed allegorical and mythological compositions for both courts and was also active as a portrait painter (e.g. Archduke Leopold William, Vienna, Kunsthistorisches Museum). Later in his career Thijs concentrated mainly on religious compositions for Antwerp monasteries and numerous churches in smaller towns and villages in Brabant and East Flanders (e.g. Sacrifice of Isaac, Antwerp, S Jacob). In addition, he painted mythological scenes and portrait commissions for individuals and the art trade in Antwerp.

From the outset, Thijs was greatly influenced by the later work of van Dyck. This may be related to the fact that his early patrons were rulers whose taste was formed by van Dyck’s refined courtly style. Other possible influences include the work of older painters such as Thomas Willeboirts Bosschaert (1614-54) and Gonzales Coques; both artists were among the earliest followers of van Dyck, and they were also Thijs’s predecessors at the courts of Brussels and The Hague. After c. 1660 Thijs combined this courtly style with a somewhat theatrical decorum, which clearly shows the growing contemporary predilection for academic and classical compositions. In his portraits of prominent clergymen and citizens from Antwerp, Thijs also paraphrased formulae from van Dyck’s portraits of his second Antwerp period (1627-32).

Mystic Marriage of St Catherine
Mystic Marriage of St Catherine by

Mystic Marriage of St Catherine

Thijs painted religious scenes for monasteries in Antwerp and for numerous churches in smaller towns and villages in Brabant and Flanders. He based his style on the later work of Van Dyck. It is possible that he came to this style under the influence of Van Dyck’s earliest followers such as Willeboirts Bosschaert and Gonzales Coques.

Portrait of Philips van de Werve and His Wife
Portrait of Philips van de Werve and His Wife by

Portrait of Philips van de Werve and His Wife

Philips van de Werve and his wife Isabelle (n�e Charles) are portrayed seated with their children, attended by a groom with a horse. The Van de Werves were among the oldest of the Antwerp noble families. Several generations produced Burgemeesters (Mayors) of Antwerp.

The painting shows the strong influence of Van Dyck’s group portraits from his late English period. The still-life and parrot are probably by Pieter Boel.

St Francis in Portiuncula
St Francis in Portiuncula by

St Francis in Portiuncula

St Francis of Assisi was followed by a considerable number of disciples, who congregated in Portiuncula, a small hermitage in the foothills of Assisi where Francis spent most of his life, and where he died in 1226.

Time and the Goddesses of Fate
Time and the Goddesses of Fate by

Time and the Goddesses of Fate

In addition to producing altarpieces and other religious pictures, Thijs also found a market as a painter of secular mythological and allegorical compositions. His restrained erotic compositions, such as the Time and the Goddesses of Fate fall within this category. Apart from his aristocratic clientele, this secular work by Thijs must have found a market among the rich Antwerp burghers of the later seventeenth century who would also show interest in Thij’s elegant style of portraiture.

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