TISSOT, James - b. 1836 Nantes, d. 1902 Château de Buillon - WGA

TISSOT, James

(b. 1836 Nantes, d. 1902 Château de Buillon)

James (originally Jacques Joseph) Tissot, French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon début in 1859 and continued to exhibit there successfully until he went to London in 1871.

His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (1861; Paris, Musée d’Orsay) and Marguerite at the Ramparts (1861; untraced) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (1864; Paris, Musée du Louvre) and Beating the Retreat in the Tuileries Gardens (1868; private collection). The painting Young Ladies Looking at Japanese Objects (1869; private collection) testifies to his interest in things Oriental, and Picnic (1869; private collection), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

After participating in the Franco-Prussian War he stayed for 10 years in London, where he was highly esteemed for his genre scenes (e.g., The Ball on Shipboard). In 1882 he went to Palestine and devoted his life to a series of watercolour drawings illustrating the Bible.

A Widow
A Widow by
Bad News (The Parting)
Bad News (The Parting) by

Bad News (The Parting)

Born in Nantes, Tissot studied in Paris and spent the years 1871-82 in England. He occupies a place in the British ‘Modern Life’ genre movement, as well as a position on the fringes of French Impressionism. This is one of a series of pictures inspired by eighteenth-century British art, which rearrange costumed models and props before a landscape viewed through a bay window. In 1874 Tissot had such a bay window installed in his London studio.

Bad News (detail)
Bad News (detail) by

Bad News (detail)

This is one of a series of pictures inspired by eighteenth-century British art, which rearrange costumed models and props before a landscape viewed through a bay window.

Berthe
Berthe by
Kathleen Newton in the Garden
Kathleen Newton in the Garden by

Kathleen Newton in the Garden

This panel shows Kathleen Newton (nee Kelly), Tissot’s companion and mistress, with members of her immediate family. Muriel, the young girl on the rug is her illegitimate daughter, Violet Newton (b. 1871) while the other little girl with the parasol is her niece, Lillian Harvey. Sitting on the wall is her sister, Mary Harvey, who ruffles the hair of Cecil George Newton (b. 1876), who may well by Tisssot’s illegitimate son.

Portrait of Miss L.L. or Girl in a Red Jacket
Portrait of Miss L.L. or Girl in a Red Jacket by

Portrait of Miss L.L. or Girl in a Red Jacket

This remarkable portrait on a modest scale was intended to convince visitors to the 1864 Salon of the skills of an artist looking for portrait customers. The picture marked Tissot’s abandonment of historical subjects in the style of the Belgian Leys in favour of the honest realism that was to bring him success. A friend of Degas, who painted a fine portrait of him in 1868, Tissot was also a dandy with a solid position in smart society, and he continued for ten years to make a brilliant career as a society painter in London.

Tea
Tea by

Tea

This painting depicts one of the figures of the painting Bad News, now in the National Museum of Wales, Cardiff.

The Newspaper
The Newspaper by

The Newspaper

The paintings and pastels of Tissot were invariably meticulously drawn, dryly painted, yet often effectively composed, and charmingly anecdotal. Recently they have enjoyed a revival on the art market and among scholars.

The Painters and their Wives
The Painters and their Wives by

The Painters and their Wives

The Return from the Boating Trip
The Return from the Boating Trip by

The Return from the Boating Trip

Young Lady in a Boat
Young Lady in a Boat by

Young Lady in a Boat

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