UHDE, Fritz van - b. 1848 Wolkenburg, d. 1911 München - WGA

UHDE, Fritz van

(b. 1848 Wolkenburg, d. 1911 München)

Friedrich Hermann Karl Fritz von Uhde, German painter. He came from a family of civil servants with artistic interests. In 1866 he briefly attended the Hochschule der Bildende Künste in Dresden, but he was bored by the teaching and in 1867 he joined the army. In 1877, despite being an officer, he took leave of absence, having decided after all to be an artist. He was determined to succeed rapidly in order to justify his late start and almost to the end of his life, therefore, his work revealed a tension between innovation and conformity.

Von Uhde left the army in 1878 and focused on painting. He studied the works of old masters in Munich and Paris. The Dutch old masters were his favourites, and in 1882 he made a journey to the Netherlands. After that trip he abandoned the dark chiaroscuro in favour of lighter colours.

Starting in 1884 Von Uhde also painted biblical subjects. 78 of his 285 works have religious subjects. His style was somewhere between naturalist and impressionist.

Von Uhde was married and had three daughters.

Bavarian Drummers
Bavarian Drummers by

Bavarian Drummers

This painting is set on a Munich parade ground. The painter stresses the random positioning of his numerous figures - though it required meticulous study and endless preliminary sketching before he was satisfied with the arrangement. Both monumental and as incidental as a snapshot, the painting baffled the public.

Big Sister
Big Sister by
Fisher Children in Zandvoort
Fisher Children in Zandvoort by

Fisher Children in Zandvoort

In the Garden (The Artist's Daughters)
In the Garden (The Artist's Daughters) by

In the Garden (The Artist's Daughters)

Two Daughters in the Garden
Two Daughters in the Garden by

Two Daughters in the Garden

This painting is more Impressionist in subject and colouring than Uhde’s previous works. Though the subject is carefree, the painting is not without melancholy. The Impressionist style - which Uhde has not unreservedly embraced - retains its function of characterising the girls. Admittedly Uhde has essayed a sense of the random moment and image, such as are essential to the Impressionist style, but his figures do not occupy their space with the disregard and independence of figures in Degas’s work.

Walking to Bethlehem
Walking to Bethlehem by

Walking to Bethlehem

This painting shows a translation of Mary and Joseph’s journey to Bethlehem into contemporary costume and a familiar environment which was immediately accessible for the public.

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