VALCKERT, Werner Jacobsz. van den - b. ~1580 Den Haag, d. ~1627 Amsterdam - WGA

VALCKERT, Werner Jacobsz. van den

(b. ~1580 Den Haag, d. ~1627 Amsterdam)

Dutch painter, etcher, woodcutter, draughtsman and writer. In 1605 he married Jannetje Cornelis, the daughter of Cornelis Sybertsz. Monicx van Montvoort, a stained-glass painter from The Hague. He received his first artistic training from his father-in-law and probably not during the journey he is supposed to have made to Italy. Between 1600 and 1605 he was registered at the Guild of St Luke in The Hague, in 1612 as a master. During this period he probably made all but two of his etchings, a woodcut of the Inspiration of St Jerome (1613) and a painting of Venus as Temptress (private collection).

Despite his skilled etching technique, evident in his refined use of hatching, cross-hatching and dots, and his experiments with plate tone, van den Valckert applied himself almost exclusively to painting after 1613. His history paintings are similar in their academic formalism to those of Adriaen van Nieulandt and Pieter Isaacsz., two of the artist’s rivals in Amsterdam, while his idealized, historicizing portraits resemble those of Cornelis van der Voort (c. 1576-1624). His patrons were mainly Amsterdam Remonstrants and Catholics but also included Christian IV of Denmark and presumably also the Stadholder, Prince Frederick Henry of Orange Nassau. The only known piece of writing by the artist is an exhortation written for St Luke’s Day in 1618 and illustrated with one of his etchings. A similar moralizing tone underlies his painting of the Goat as an Unsuitable Leader of the Young (1616; untraced), which bears the initials of members of Amsterdam’s Guild of St Luke.

A Man Cutting Tobacco
A Man Cutting Tobacco by

A Man Cutting Tobacco

The painting represents an interior with a man wearing a fur hat and cutting tobacco, a lady handing him a pipe. The woman wears an oorijzer, or ‘ear iron’, the metal structure used to support a bonnet. Almost all contemporary depictions show oorijzers worn in conjunction with a bonnet, the present picture is highly unusual in showing the oorijzer worn without a bonnet.

Five Regents of the Groot-Kramergild
Five Regents of the Groot-Kramergild by

Five Regents of the Groot-Kramergild

This painting represents the long-standing Netherlandish tradition of group portraiture, a genre in which Frans Hals and Rembrandt were both to excel.

Portrait of a Man with Ring and Touchstone
Portrait of a Man with Ring and Touchstone by

Portrait of a Man with Ring and Touchstone

This well-preserved portrait displays Van den Valckert’s polished painting technique to perfection. The vivacity is chiefly due to the illusionistic effect of the man leaning out of a niche, which recedes slightly on the left. His right hand appears to be projecting out of the picture, and the viewer’s eyes are automatically drawn to the attribute he is displaying. The gold ring, together with the touchstone which he is holding in his left hand, are the clues to his profession and official function. It seems likely that the sitter is the Leiden goldsmith Bartholomeus Jansz van Assendelft (1585-1658).

Sleeping Venus
Sleeping Venus by

Sleeping Venus

There are a number of artworks in 17th-century Dutch art depicting figures putting their index fingers to their lips. In this print a satyr makes the gesture as he espies a sleeping nude.

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