French architect of the Revolutionary and Napoleonic periods. Trained under Julien David Leroy (1724-1803); he was also a close friend of Claude Nicolas Ledoux. He was appointed Inspecteur général des bâtiments de la République in 1794. In 1807, Napoleon I chose Vignon’s uncompromising Neoclassical design for his Temple de la Gloire (after 1813 the Madeleine) in Paris.
The most important contribution to church architecture in the Napoleonic period was the construction of the �glise de la Madeleine.
Together with the Arc de Triomphe (1806–08) and the Vend�me Column, the Madeleine is one of the monuments with which Napoleon sought to turn Paris into an imperial capital. Built in the form of a Roman temple surrounded by a Corinthian colonnade, the Madeleine reflects the taste for Classical art and architecture that predominated in France during the Empire phase of the Neoclassical movement.
Napoleon had ordered its design and construction, originally intending the building to be a temple of glory celebrating his Grande Arm�e. This commemorative role, however, was assumed instead by the Arc de Triomphe, and in 1816 the Madeleine was made a church by the restored Bourbon regime. Its interior, completed 1828–42 under the supervision of Jean-Jacques-Marie Huv� (1783-1852), was modeled on the Roman baths.
The most important contribution to church architecture in the Napoleonic period was the construction of the �glise de la Madeleine.
Together with the Arc de Triomphe (1806–08) and the Vend�me Column, the Madeleine is one of the monuments with which Napoleon sought to turn Paris into an imperial capital. Built in the form of a Roman temple surrounded by a Corinthian colonnade, the Madeleine reflects the taste for Classical art and architecture that predominated in France during the Empire phase of the Neoclassical movement.
Napoleon had ordered its design and construction, originally intending the building to be a temple of glory celebrating his Grande Arm�e. This commemorative role, however, was assumed instead by the Arc de Triomphe, and in 1816 the Madeleine was made a church by the restored Bourbon regime. Its interior, completed 1828–42 under the supervision of Jean-Jacques-Marie Huv� (1783-1852), was modeled on the Roman baths.
The photo shows a view of the interior towards the altar.
