VILLARD DE HONNECOURT - b. ~1200 Picardy, d. ~1250 ? - WGA

VILLARD DE HONNECOURT

(b. ~1200 Picardy, d. ~1250 ?)

French architect remembered primarily for the sketchbook compiled while he travelled in search of work as a master mason. The book is made up of sketches and writings concerning architectural practices current during the 13th century.

Honnecourt spent most of his life travelling to such places as Rheims, Chartres, Laon, Meaux, and Lausanne. He visited Hungary in 1245, possibly to work there as an architect. His sketches indicate that he was well acquainted with the great churches that were built during his lifetime. Little mention is made of Honnecourt’s own architectural contributions, although he may have been active in the building of Saint-Quentin. In his notes Honnecourt described the work he did on the rose window of Lausanne cathedral.

The architect’s sketchbook was originally devoted entirely to sketches marked by sinuous figures in draped robes. Eventually, Honnecourt compiled a manual that gave precise instructions for executing specific objects with explanatory drawings. In his writings he fused principles passed on from ancient geometry, medieval studio techniques, and contemporary practices. The author includes sections on technical procedures, mechanical devices, suggestions for making human and animal figures, and notes on the buildings and monuments he had seen. He also offers insights into the variety of interests and work of the 13th-century master mason in addition to providing an explanation for the spread of Gothic architecture in Europe.

Portfolio of Villard de Honnecourt
Portfolio of Villard de Honnecourt by

Portfolio of Villard de Honnecourt

A well-known Gothic image, often thought to exemplify the new relationship to nature, is the drawing of a lion from the model book of Villard de Honnecourt. On it the artist has proudly inscribed “note well that this was drawn from life”. The word used for drawn is “contrefait”, which at that time had some of the associations of our term counterfeit - the production of something false. In the Gothic era artist did not lay claim to a personal vision or perception. An artist was a maker, an artisan.

Villard was not, in fact, sketching from life, since this lion-taming narrative was a commonplace found in medieval encyclopedias. Like the ornamental lion’s head, which he adds in the top corner, this depiction relates more to earlier lions in art than to any actual animal the artist might have seen. What is important, however, even if Villard did not draw the lion from life, is that he added the inscription saying that he did. It suggested that there were things in the world worth recording and that the image-maker could vouch for their appearance. Precisely because medieval artists did not copy the world before their eyes, Villard had to add this text to authenticate his presence before something, just as, in the rest of the album, images of buildings like Laon cathedral have inscriptions to attest to his having seen them, even though many scholars believe he was copying them from other drawings.

Portfolio of Villard de Honnecourt
Portfolio of Villard de Honnecourt by

Portfolio of Villard de Honnecourt

Villard de Honnecourt is known only through this portfolio of 33 parchment leaves containing approximately 250 drawings preserved in Paris (Biblioth�que Nationale, MS Fr. 19093). There is no record of him in any known contract, guild register, inscription, payment receipt, tax record, or any other type of evidence from which the names of medieval artisans are learnt. Villard’s fame is due to the uniqueness of his drawings and 19th-century inventiveness in crediting him with having “erected churches throughout the length and breadth of Christendom” without any documentary evidence that he designed or built any church anywhere, or that he was in fact an architect.

The drawing of ‘LEO’ is in the portfolio.

Portfolio of Villard de Honnecourt
Portfolio of Villard de Honnecourt by

Portfolio of Villard de Honnecourt

The picture shows machines, drawings in the portfolio.

Portfolio of Villard de Honnecourt
Portfolio of Villard de Honnecourt by

Portfolio of Villard de Honnecourt

About 1235, Villard de Honnecourt, an architect from the Cambrai region of Northern France, prepared a textbook which is a personal document, Villard addresses his pupils. He promises them tuition in masonry and carpentry, drawing of architecture and figures, and geometry. Of all this the book contains examples, drawn and briefly described. It is invaluable as a source of information on the methods and attitude of the 13th century.

The picture shows a detail of Reims Cathedral.

Portfolio of Villard de Honnecourt
Portfolio of Villard de Honnecourt by

Portfolio of Villard de Honnecourt

About 1235, Villard de Honnecourt, an architect from the Cambrai region of Northern France, prepared a textbook which is a personal document, Villard addresses his pupils. He promises them tuition in masonry and carpentry, drawing of architecture and figures, and geometry. Of all this the book contains examples, drawn and briefly described. It is invaluable as a source of information on the methods and attitude of the 13th century.

The picture shows wrestling figures and plans for churches.

Portfolio of Villard de Honnecourt
Portfolio of Villard de Honnecourt by

Portfolio of Villard de Honnecourt

About 1220-30, builders and architects took the decisive step of making small-scale sketches on parchments. With this method, all the larger and smaller shapes could be copied and reproduced in order to give precise advance details to sculptors and masons. The “lodge-book” of Villard de Honnecourt gives an overview of the various functions and types of architectural drafts. This manuscript which shows people, animals, machines, furnishings, carvings, and many more things apart from churches.

This picture from the sketchbook shows drawings of stonework for piers and windows.

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