WESTMACOTT, Sir Richard - b. 1775 London, d. 1856 London - WGA

WESTMACOTT, Sir Richard

(b. 1775 London, d. 1856 London)

Neoclassical sculptor, part of an English family of sculptors. They were leading sculptors of funerary monuments in the 18th and 19th centuries and also specialized in chimney-pieces and other forms of architectural sculpture.

The son of a sculptor also called Richard (1747-1808), he trained first under his father and then in Rome under Canova (1793-97). After his return to London, he soon had a very large practice, second only to Chantrey. His best-known work is the huge Achilles statue (unveiled 1822) in Hyde Park; it honours the Duke of Wellington and is made of bronze - 33 tons - from captured French cannon. At the time the figure’s conspicuous nudity was considered shocking or amusing, especially considering it had been paid for by a group of lady subscribers. Westmacott also did the pediment sculpture on the British Museum (finished 1847). His work is dignified but often rather pedestrian and dead in handling. He was Professor of Sculpture at the Royal Academy from 1827 to 1854. Two of his brothers, George (active 1799-1827) and Henry (1784-1861), were sculptors, as was his son, another Richard Westmacott (1799-1872).

Horace's Dream
Horace's Dream by
Monument to Charles James Fox
Monument to Charles James Fox by

Monument to Charles James Fox

Westmacott’s principal work is the monument for the statesman Charles James Fox (1749-1806), who had been a Member of the Parliament, became a lord of the Admiralty, and from 1772-74 was a commissioner of the Treasury. Among his notable merits were his attempts to abolish the slave trade and his support for the rights of the North American colonies.

Westmacott pictorialized three basic elements of Fox’s political career. Fox dies in the arms of the allegory of Liberty (the high point of the group); leaning over his feet is the mourning allegory of Peace; and the African squats before him for his forceful intervention on behalf of his race.

Monument to Charles James Fox (detail)
Monument to Charles James Fox (detail) by

Monument to Charles James Fox (detail)

When Canova visited Westmacott’s workshop and saw the figure of an African, one of the secondary figures of the monument to Fox, he is supposed to have declared that he had never seen a marble piece to surpass it either inside or outside England.

Monument to General Abercrombie
Monument to General Abercrombie by

Monument to General Abercrombie

While studying in Rome between 1793 and 1797 Westmacott was deeply influenced by Canova.His large-scale monuments show a sense of the dramatic which is close to the Italian master. The monument to General Abercrombie in St. Paul’s Cathedral, showing the hero falling off his horse, is remarkable for presenting the moment of death.

James Abercrombie (1706-1781) was a British Army general and commander-in-chief of forces in North America during the French and Indian War, who met with disaster in the Battle of Carillon (1758).

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