ZAIS, Giuseppe - b. 1709 Forno di Canale, d. 1784 Treviso - WGA

ZAIS, Giuseppe

(b. 1709 Forno di Canale, d. 1784 Treviso)

Italian painter, born in Forno di Canale (now Canale d’Agordo), near Belluno. He may have served an apprenticeship in Belluno before moving, probably around 1725-30, to Venice, where he practised as a landscape painter for nearly 50 years. The first and most important influence on his art was that of Marco Ricci, also from Belluno, who was in Venice from 1717 until his death in 1729. Ricci’s etchings, published in 1730, provided Zais with a useful source of inspiration. From them he derived the scenographic format of his landscapes, usually framed by clumps of trees into which villages and figures of peasants were inserted, painted in a thick impasto of rich colour. The result is a pleasing, simplified style of great descriptive power. However, this attractive facility can also be seen as a limitation, for Zais never achieved Ricci’s dramatic effects. Zais’s contact with Francesco Zuccarelli in the early 1730s softened Ricci’s influence and introduced an increased refinement into his work, although sometimes at the risk of affectation.

Ancient Ruins with a Great Arch and a Column
Ancient Ruins with a Great Arch and a Column by

Ancient Ruins with a Great Arch and a Column

In Venice, as elsewhere in the eighteenth century, there was a vogue for paintings of ruins, much admired by travellers on the Grand Tour, who came to Italy to see landscapes filled with relics of the past.

Italianate Landscape
Italianate Landscape by

Italianate Landscape

Italianate Landscape
Italianate Landscape by

Italianate Landscape

Landscape
Landscape by

Landscape

This landscape with peasants by Zais is characterised by the immediacy of the brushwork and a realistic portrayal of the characters.

Landscape with River and Bridge
Landscape with River and Bridge by

Landscape with River and Bridge

In the 1740s the rustic scenes of Zais acquire a simplicity and sincerity more like the pastoral scenes of Zuccarelli with their more light-hearted themes and softer colour. Landscape with River and Bridge is a fine example of the balance of colour and atmosphere achieved by Zais in his works of this period. Here the traditional composition and classical composure of this carefully staged landscape are enlivened by a rustic element, as is often the case in the works of Zais.

Landscape with Ruins and Archway
Landscape with Ruins and Archway by

Landscape with Ruins and Archway

The early landscapes of Giuseppe Zais are similar in style to those of his master and fellow-countryman, Marco Ricci. In the grandiose Ruins and Achway a dramatic pictorial quality is achieved by the use of strong chiaroscuro effects. In the 1740s his rustic scenes acquire a simplicity and sincerity more like the pastoral scenes of Zuccarelli with their more light-hearted themes and softer colour. Landscape with River and Bridge is a fine example of the balance of colour and atmosphere achieved by Zais in his works of this period.

Landscape with Shepherds and Fishermen
Landscape with Shepherds and Fishermen by

Landscape with Shepherds and Fishermen

The symbolism of Christ and Christians as shepherd and sheep is founded on the parables of Luke (15:3-7) and John (10:1-18). Its translation into visual terms is largely confined to early Christian art. It is rarely encountered in painting after the Middle Ages. The shepherd became element of pastoral scenes.

Suggested listening (streaming mp3, 13 minutes):

Franz Schubert: Der Hirt auf dem Felsen (The Shepherd on the Rock) D 965

Pastoral Landscape
Pastoral Landscape by

Pastoral Landscape

Southern Seaport
Southern Seaport by

Southern Seaport

The present painting represents a southern seaport with ruins and merchants unloading a ship. It is a characteristic work by the artist.

The Swing
The Swing by

The Swing

In this canvas, one of a set of four, the artist returns to landscapes with amorous distractions inspired by the works of Watteau or Lancret.

You can view other representations of the motif “The Swing.”

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