ZARZA, Vasco de la - b. ~1480 ?, d. 1524 Ávila - WGA

ZARZA, Vasco de la

(b. ~1480 ?, d. 1524 Ávila)

Spanish sculptor and architect. He may have trained in Italy, whence he introduced Italian Renaissance forms to New Castile, particularly in Ávila. In 1499 he established himself at Ávila as a carver in alabaster. He was also active as an architect, and in 1508 he was involved with the reconstruction of the cloisters in Ávila Cathedral. He carved the wall tomb (c. 1515) of Archbishop Alonso Carrillo de Albornoz in the chapel of S Ildefonso, Toledo Cathedral, a work with a strong Italianate influence perhaps partly due to the presence of Domenico Fancelli in Ávila. The monument is in the form of a triumphal arch, but all surfaces are carved with a profusion of decorative motifs reminiscent of the Lombard school. In 1518 de la Zarza completed the monument to Bishop Alonso de Madrigal, known as El Tostado, in the trasaltar mayor (the area behind the altar) of Ávila Cathedral.

In 1523 de la Zarza was advising on the building of Salamanca Cathedral. At the time of his death he was said to be working with Alonso Berruguete on the retable of La Mejorada in Olmedo. He had also begun carving the altars of the transepts in Ávila Cathedral, which his collaborators completed.

Tomb of Don Alonso de Madrigal
Tomb of Don Alonso de Madrigal by

Tomb of Don Alonso de Madrigal

The work of sculptor Vasco de la Zarza prepared the entry of the Renaissance style to Spanish sculpture. Zarza may have been trained in Italy or under Fancelli, an Italian sculptor in �vila. The affinity between his style and that of the Italian sculptor is revealed in the magnificent tomb in Toledo cathedral carved for his protector, Don Juan Carillo de Albornoz, in which the delicate Plateresque ornamentation is combined with a classical outline.

In 1518 he completed his most famous work: the ostentious tomb of Don Alonso de Madrigal (El Tostado), Bishop of �vila, behind the high altar in �vila cathedral. Far from submerging the figure of Don Alonso, the wealth of decoration glitters around him like an allegory of the treasures of the spiritual and religious life. The style of Vasco de la Zarza exerted a broad influence in Toledo, �vila, and Segovia.

Tomb of Don Alonso de Madrigal (detail)
Tomb of Don Alonso de Madrigal (detail) by

Tomb of Don Alonso de Madrigal (detail)

The seated figure of the bishop writing at a lectern is dramatically posed, and the work displays virtuoso carving of the drapery.

Tomb of Don Alonso de Madrigal (detail)
Tomb of Don Alonso de Madrigal (detail) by

Tomb of Don Alonso de Madrigal (detail)

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